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Gregorian Book of Silos [IMPORT]

Search: Responsorium "Libera Me"
by: Silos (Choeur Des Moines Bened

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Ego Sum Resurrectio

Search: Responsorium "Libera Me"
from: Naxos

July 01, 1994
There is a beautiful mixture of male lead and female choir in this. I find it to be so relaxing and calming and peaceful.

What more needs to be said. Purchase and enjoy!

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Gregorian Chant for the Church Year

Search: Responsorium "Libera Me"
by: Various Composers, Choralschola Vienna Hofburgkapelle

September 10, 2001
There is a beautiful mixture of male lead and female choir in this. I find it to be so relaxing and calming and peaceful.

What more needs to be said. Purchase and enjoy!

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Lodovico da Viadana: Missa Solemnis pro Defunctis

Search: Responsorium "Libera Me"
from: Stradivarius

February 18, 1997
There is a beautiful mixture of male lead and female choir in this. I find it to be so relaxing and calming and peaceful.

What more needs to be said. Purchase and enjoy!

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Missa Solemnis Pro Defuntis

Search: Responsorium "Libera Me"
by: Various Artists

January 17, 2000
There is a beautiful mixture of male lead and female choir in this. I find it to be so relaxing and calming and peaceful.

What more needs to be said. Purchase and enjoy!

Average Rating:

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Cardoso - Manuel Cardoso Requiem

Search: Responsorium "Libera Me"
from: Gimell

January 07, 2002
--Frei Manuel Cardoso--
Cardoso was born about 1566 in Lisbon. Part of the Portuguese renaissance (only recently becoming a topic of major study), his musical influences seem to lag behind a bit the rest of Europe, but have strong staying power also. A member of a Carmelite order in Lisbon, Cardoso was musically trained for liturgical and choir music; he had the Portuguese King John IV as a patron, who (like the Emperor of Austria who was a patron of the arts during Mozart's time) had a fine appreciation for music, and was himself a performer and composer. Cardoso produced many masses, motets, and some other kinds of music; he was directly influenced by Palestrina, among others. He died in 1650

--Motets and Magnificat--
Motets ... Read More:

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Frei Manuel Cardoso: Requiem

Search: Responsorium "Libera Me"
by: Cardoso


--Frei Manuel Cardoso--
Cardoso was born about 1566 in Lisbon. Part of the Portuguese renaissance (only recently becoming a topic of major study), his musical influences seem to lag behind a bit the rest of Europe, but have strong staying power also. A member of a Carmelite order in Lisbon, Cardoso was musically trained for liturgical and choir music; he had the Portuguese King John IV as a patron, who (like the Emperor of Austria who was a patron of the arts during Mozart's time) had a fine appreciation for music, and was himself a performer and composer. Cardoso produced many masses, motets, and some other kinds of music; he was directly influenced by Palestrina, among others. He died in 1650

--Motets and Magnificat--
Motets ... Read More:

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Chant

Search: Responsorium "Libera Me"
by: Cistercian Monks Of Stift Heiligenkreuz

May 19, 2008
This Cistercian abbey has a continous history since its foundation. My only criticsm is that according to the Rule Cistercians should chant in the Ambrosian mode - very slow & ponderous, and this CD is a little too fast. One of the plus points is that Cistercians do not have choir boys so the overall effect is a deeper more inspiring chant.

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Chant - Music for Paradise (Special Edition)

Search: Responsorium "Libera Me"
by: Monks of The Cistercian Abbey Stift Heiligenkreuz

November 17, 2008
This Cistercian abbey has a continous history since its foundation. My only criticsm is that according to the Rule Cistercians should chant in the Ambrosian mode - very slow & ponderous, and this CD is a little too fast. One of the plus points is that Cistercians do not have choir boys so the overall effect is a deeper more inspiring chant.

Average Rating:

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Cardoso; Lôbo; Victoria - Requiems

Search: Responsorium "Libera Me"
from: Gimell

August 29, 2005
This Cistercian abbey has a continous history since its foundation. My only criticsm is that according to the Rule Cistercians should chant in the Ambrosian mode - very slow & ponderous, and this CD is a little too fast. One of the plus points is that Cistercians do not have choir boys so the overall effect is a deeper more inspiring chant.