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September 12, 2008
I was very sceptical, and have stayed away from buying Death Magnetic based on the last 15 years of Metallica music. Then I heard the album from start to finish this weekend. I went out and picked it up the next morning.
The first 4 albums are excellent, and they were produced by Flemming Rasmussen. Then Bob Rock came in and turned the "good Metallica" switch off. Now Rick Rubin has been brought in and finally, the masterpiece that should have followed "...And Justice For All". Rick Rubin is a genius!
This album is very loud, progressive and fun to listen to. Death Magnetic is the album off the year, and easily makes Metallica the comebackk artist of the year. You won't be dissapointed.
August 12, 1991
I was 11 when this came out and I bought this and Justice at the same time. I was new to metal and I was a kid but I knew I was listening to Justice constantly while I struggled to get beyond the third track here (it was cassette.) If you liked well played thrash or any kind of music, it boggles the mind why you would want this stuff that gets boring after a few listens. Roam, Struggle, God that failed, Through the never are just filler. I loved Sandman back then, but I liked Smells like teen spirit too.
October 25, 1990
Very much like most of the old 80's metallica's cd's Are good. I gave this cd a 5 star. Excellent bass all the way. Brutal vocals and machine gun gutiar sounds. Like battery the best. Other great songs on here like master of the puppets leper massiah. Trash at it's best.
October 25, 1990
Metallica may have artistically peaked with Master Of Puppets (or maybe Justice), but this is my favorite album by them. It balances the fiery rawness of the debut with the more complex arrangements found on Puppets to create one of metal's defining masterpieces. Anyone who's ever had even a passing interest in metal has owned this album at some point or another.
It starts out with what is arguably Metallica's hardest hitting song of their career, Fight Fire With Fire (dig those drums, Lars!) and never lets up. The only real "break" we get is the semi-ballad Fade To Black, which is definitely one of the band's top five songs. The album culminates with the one-two punch of Creeping Death and Call Of Ktulu. There's also these two other songs ... Read More:
October 25, 1990
Don't get me wrong, this is a great album, my one star review has to do with this particular pressing of the lp. For a half speed master, this sounds absolutely horrible! The signal of the recording is so low, I have to crank my phono preamp so much, that the surface noise of the vinyl is noticeable. This should never happen, ESPECIALLY on a heavy metal record, where the music should be so loud it drowns out any lp noise. Do yourself a favor, spend your money on an older original pressing, this one is horrible. I have a UK pressing of this album from vertigo from the early 90s that BLOWs this pressing out of the water, half speed mastered or not.
June 20, 1995
Okay, couple things I need to get out of the way since this is a review of the vinyl version of this album. First, to enjoy this vinyl record fully, you NEED good equipment to play it on. I'm talking at or near audiophile-level hi-fi equipment, with the turntable being nothing less in build quality than something like a Technics SL-1200.
That being said, it would have been real good if Metallica had re-mixed and re-mastered this album for re-issue on vinyl. The big problem I have with it is that James Hetfield's lyrics are a little too buried in the mix on most of the songs. One thing I will say too is be prepared to really turn up the volume to hear things really good. This album really pushes the LP vinyl format to its limit, with 27 minutes of music ... Read More:
November 23, 1999
As a long term fan of Metallica this album was an interesting way to revisit all of the songs that have been screaming out of my stereo over the past 20yrs. The best album they've put out since And Justice for All...
November 24, 1998
To put it simply, I love this album. If you like Metallica at all, there's probably something here for you. Granted, there's less of the progressive stuff a la Load and Reload, but I was never a big fan of that anyway. (Although Turn the Page and Loverman are awesome.)
Looking at my jewel case now, Bob Rock's name isn't on the back. On the discs it says "Somewhat produced by Bob Rock with Hetfield and Ulrich." I've been trying to figure out why Metallica went from metal gods to media darlings, and as near as I can tell it's because Bob Rock sucked. "Somewhat produced," with its suggestion of lacking quality may have been the best thing that happened to this album. The quality is inconsistent, Hetfield lets out a giggle when someone jumps the gun on a note in Loverman, ... Read More:
June 04, 1996
Okay, I'm going through the inevitable re-assessment of Metallica's catalog that comes with every new album. With Load, I have the same opinion that I did ten years ago: if this album had been made by anyone else, it would have been hailed as a great ROCK album. Problem is, Metallica spent all those years putting out truly epic, towering songs. After their 1st four albums (lets just ignore BLACK) anything other than truly legendary thrash built on mathematically precise, wonderfully layered foundations sounds weak and pathetic.
The songs on this album are good. I spent a lot of time listening to it and still go back every once in a while. I, like everyone else (or at least everyone who was around for the old stuff and has good taste) would have preferred MORE of the old sounding stuff. That ... Read More:
November 18, 1997
If you are of the speed metal only type of metallica fan, then this is not for you. However, if you love music, then this is. With Death Magnetic, Rick Ruben, along with many old metallica fans, said "make the album that should have come after And justice for all". The thing is, they made that album already. It's called "the Black ALbum". The fact of the matter is, Metallica was ready to move forward after "justice" - they had taken the "prog-metal"/speed metal thing as far as they could take it, and for them to evolve as musicians, they HAD to realease the stripped-down blues metal experimentaion that was "metallica(black album)", Load and Reload. which was, incidentally, just as important and influential as their first four albums. Musically, this is growth. this is experimentation. not something that ... Read More:
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